Recently, I’ve begun reading The Chronicles of Narnia to my daughters. You must do this as a Christian parent, or you forfeit your credentials. So I comply.

Fortunately, Lucy and Penelope love the books, and I’ve enjoyed the change from Disney princesses whose primary aim is to meet a man and live in a castle.

We just finished Prince Caspian, and near the end, Aslan arrives to help the Narnians. In gratitude, the spirits of the trees begin to dance, and all the creatures join together in a raucous celebration. It’s basically a rave, minus the Molly and the techno.

The party is led by a figure known as Bacchus.

He appears as

a youth, dressed only in a fawn-skin, with vine-leaves wreathed in his curly hair. His face would have been almost too pretty for a boy’s, if it had not looked so extremely wild. You felt, as Edmund said when he saw him a few days later, “There’s a chap who might do anything – absolutely anything.”



Unbeknownst to my daughters, Bacchus (also called Dionysus) is the pagan god of wine, fertility, and wild parties. The Latin translates to “Kardashian.”

For the Greeks, his symbol was the phallus, and he was accompanied by a throng of women, the Maenads, who danced and sang around him. The Maenads also make the trip to Narnia.

As Lewis writes:

Bacchus … and the Maenads began a dance … and where their hands touched, and where their feet fell, the feast came into existence.

Thus Aslan feasted the Narnians till long after the sunset had died away, and the stars had come out … And the best thing about this feast was that there was not breaking up or going away, but as the talk grew quieter and slower, one after another would begin to nod and finally drop off to sleep with feet towards the fire and good friends on either side.

It sounds fantastic. Yet the question is why Lewis decided to have the pagan Bacchus lead the celebration of the Christ-cat.

The fundamentalist internet knows why.


It turns out, C.S. Lewis was a closet pagan, whose true desire was to turn your children into tiny Satanists. It’s true; I read it on a blog with multi-colored font (see: “”). And who could doubt it, for as the blogger writes:

What Lewis is describing here is nothing other than a Bacchanalian orgy!

(Well, yes, minus the sex.)

The post goes on:

C.S. Lewis was a master of combining … heathen myths to develop his plots. Worst of all, this is for children! … It’s too bad nobody ever explained to him the consequences of such behavior. … Perhaps he would not have cared. Perhaps he had a known “calling” for his father the devil which he was willingly fulfilling.

And “homemakers corner” is not alone.

A quick Google search finds many sites, some even with monochrome font, decrying Lewis’ debauchery, his paganism, and what’s worst: his similarity to J.K. Rowling (*makes sign of the cross).

So why did Lewis do this?


Three points:

First, it is clear that Bacchus’ Narnian revelry has been reformed in crucial ways. Thus there is no mention of sexual looseness, drunkenness, or pagan worship.

Second, it is also clear that Lewis’ view of the party god is hardly uncritical, for he has Susan say to her sister:

I wouldn’t have felt very safe with Bacchus and all his wild girls if we’d met them without Aslan.

Third, and quite important, is Lewis’ belief that even paganism got certain things right about the divine, even though they got other things dreadfully wrong (See Till We Have Faces; also Paul in Acts 17).

Indeed, what the Maenads knew, far better than Ned-Flanders-Christianity (TM), is that with the divine comes festival joy. Consider, for instance, how many of Christ’s parables involve parties. And consider also the critiques of Pharisees against him.

Thus, one of Lewis’ goals throughout his writings is to show that true delight is not tamped down, but rather found in Jesus. As he famously wrote in The Weight of Glory:

It would seem that our Lord finds our desires not too strong, but too weak. We are half-hearted creatures, fooling about with drink and sex and ambition when infinite joy is offered us, like an ignorant child who wants to go on making mud pies in a slum because he cannot imagine what is meant by the offer of a holiday at the sea. We are far too easily pleased.

Given this, Lewis’ point is not to elevate the Greek god of parties, but to show that true mirth is found in Aslan’s presence.

As I heard someone say once:

I seriously doubt that Christians will have much to say to the world until we can learn to throw better parties.

That’s true, and it has nothing to do with embracing drunken licentiousness. 


But why use Bacchus?

This, of course, is the objection from the rainbow-fonted internet.

Why not create a less phallo-centric mythological creature to deliver this lesson, like a talking cucumb… (okay, bad example) tomato, a talking tomato?


One last point:

Interestingly, it may be that the selective nod to Bacchus was not original to Lewis.

It may trace back to Christ himself.

In John 2, Jesus’ first miraculous sign is not the healing of a leper, the raising of the dead, or the restoration of lost sight. Instead, it is the creation of over 120 gallons (!) of the headiest wine imaginable—enough to overflow three bathtubs—and this, to keep a dying party from going dry.

There is much symbolism here, but as Tim Keller notes in the best sermon I have heard on the text (here), one intended echo may have been the Dionysian tales of the hills running with wine and revelry.

In this miracle, Christ was showing himself to be the true Lord of the Wine, and the true bringer of festival joy.

This matters, as Keller says, because most people reject Jesus for the wrong reasons. They do so, because they fear that it will cost them mirth. Yet as both the Psalmist and the Maenads knew, in the presence of the divine

“there is fullness of joy; at your right hand are pleasures forevermore” (Ps. 16).

And while one may say this with a talking tomato, I prefer Lewis’ approach.


15 thoughts on “Saving Bacchus: How C.S. Lewis redeemed the pagan god of wine and wild parties

  1. Josh, I can’t get enough of your blogs. They are the perfect mix of humor and insight. I learn something each time I read one. I always look forward to seeing the next blog show up in my email. Thank you!!

    Liked by 1 person

  2. Enjoyed this! I liked Lewis’ imagery in this scene even as a kid, and the first Keller sermon I ever listened to years ago was the one you reference here.

    Liked by 1 person

  3. I’m not a Christian but it was a pleasure to read your thoughts. I checked out the “rainbow Internet” via the link you provided. That kind of crazy is an immediate turn-off for me (as well as for you, I take it). Such rambling screeds have nothing to say to me, however I enjoy reading anyone’s ideas when they’re as well-written and thoughtful as yours.

    Liked by 1 person

  4. even though it’s been awhile since the article: the prezence of Bachus might me more than what you described here.
    We might have here an image of a wedding. In the Scripture we have clues for a wedding between Christ and His people. (Might be usefull Brant Pitre ”Jesus the Bridegroom”) In Prince Caspian we have the wedding beteen Aslan and Narnia. For this idea we have the wedding train, the simbols of fertility, feminty and love (bachus and the ivy), the wine (in hebrew tradition, Mesiah will bring a wine from the begining of the time. Let us remember that Bachus wal allready mentioned in ”The Lion, The Witch and the Wardrobe” as a symbol of the prosperithy and hapiness of the Begining of the time) wich is everywere, and the feast (”the feast came into existence—sides of roasted meat
    that filled the grove with delicious smell…” Isaiah 25, 6-8) So Bachus is here for the wine, for the feast, and as a fertility clue.
    Just my opinion. But I might be wrong.
    Sorry for my horible english!


  5. Thanks, was reading the second chapter last night when Tumnus was talking about Bachus. I’m thinking of writing my daughter a little about the blue bottle in the wardrobe room and the war between the moths and butterflies of Narnia… my own concept.


  6. What is that blue bottle from the room of the wardrobe. Is it a fly or a flower? I red both explanations. I belive it is a blue flower: as a sugestion to “Joy”. Lewis writes about the blue flower in “Surprised by Joy”.


  7. Hey thanks for this thoughtful write up. I too am reading through Narnia Chronicles to my kids. I’ve been mulling over why Lewis used Bacchus as he did. Knowing his brilliance, I assumed he had good reason too. Well said, and great line to the Wedding of Cana


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